Posted: May 3rd, 2012 | Author: Michael Courtenay | Filed under: Art News | Tags: Art, Art Sale Record, Artist, Edvard Munch, Norway, Norwegian, Sotheby's, The Scream, The Scream in Pastel | Comments Off on Edvard Munch: The Scream Sells For $119m at Auction
The only privately owned version of Edvard Munch’s The Scream – one of the most recognisable paintings in history – has set a new world record, selling for $US119.9 million at Sotheby’s in New York.
Heated competition between seven bidders took the price tag to the highest for a work of art at auction in just 12 minutes. The packed sales room erupted into applause and cheering when the hammer went down.
An unnamed telephone bidder gave the final offer of $119,922,500, including commission, far exceeding pre-sales estimates of about $US80 million.
“A group of seven bidders jumped into the competition early, but it was a prolonged battle between two highly determined phone bidders that carried the final selling price to its historic level,” said Sotheby’s spokesman Darrell Rocha:: Read the full article »»»»
Posted: February 22nd, 2012 | Author: Michael Courtenay | Filed under: ART, Art News | Tags: Art, Artist, Edvard Munch, Norway, Norwegian, Sotheby's, The Scream, The Scream in Pastel | Comments Off on Edvard Munch: The Scream May Fetch $80m at Auction
A version of The Scream, one of the world’s most famous paintings, will go on sale this May in New York and is expected to fetch at least $US80 million, Sotheby’s auctioneers say. Norwegian businessman Petter Olsen, whose father was a friend and patron of artist Edvard Munch, currently owns the work. It will go on the block in New York on May 2, headlining the impressionist and modern art sales.
Sotheby’s describes The Scream as “one of the most instantly recognisable images in both art history and popular culture, perhaps second only to the Mona Lisa.” There are four versions of the painting, which features a man screaming and clutching his head against a wavy, brightly-coloured landscape, but this is the only one in private hands. The influence of the image, described by Munch as recording a moment of paralysing anxiety during a walk with friends in the hills above Oslo, has few parallels. Read the full article »»»»